These are the first pictures where I used this emulsion to paint a series of parallel bands from the top of the canvas, taking more paint each time it was needed rather than starting at the edge of the stretcher. When it was finished I titled the canvas so the colours would separate.
Still more paintings born of chaos, of chance, whose forms depend solely on technological characteristics: liquidity, quantity of paint, angle of the surface over which it flows etc. And yet, the visual experience doesn’t show it. the evocation of mountains and lakes predominates; landscapes open up to a kind of illusionist aberration, and fall apart. The activity seems to be this kind of sensation of making an unmaking the place we are looking at.