Jean-Philippe Delhomme paints scenes devoid of all human presence, based on direct observation of the urban landscape of major cities like New York, Paris and Los Angeles. His perspective on these cities bears witness to the coalescence of past, present and future that the architectural fabric manifests through these environments in constant transformation: the industrial building threatened by demolition to make way for a new apartment block captures his attention, and his “vistas” are charged with literary and artistic references. Delhomme’s landscape participates in an authorly perception which serves as the common thread between the different forms of expression that he masters: drawing, writing and painting.