In her most recent series of sculptural wall reliefs, Belanger embraces formal reduction, exemplified in this piece, which depicts various drugs for and tools for self care, lined up in a bathroom cabinet. Inspired by overlaps between tromp l’oeil and Cubism, the image is tightly cropped and the picture plane flattened, the shelves’ cavities disregarded altogether while rendering the objects in relief. Belanger’s works are concerned with the coping mechanisms we rely upon, here the juxtaposition of pills, perfume and food, underscores the duality of consumption—where nourishment and medication, pleasure and necessity, coexist in tension. Pills, representing both the promises of modern medicine and the burdens of a society increasingly reliant on pharmaceutical solutions.