In Henderson’s Flowers series, the artist continues a suite of photographs he has been working on for the last decade. For this work, Henderson manipulates a photograph by drawing, pasting, folding and painting it, before scanning and reprinting the image at a larger scale. The original photograph is discarded and the documentation becomes the final artwork. The resultant image—with an ambiguous shadow that provides an illusion of three-dimensionality—invites the viewer question the conceptual and physical space between production and display.