This self-referential work belongs to a series of portraits and dreamscapes that Hascoët has been developing over the past few years, often featuring birds, forest critters, and other bygone creatures. Birds first appeared in his work during what the artist describes as a migratory season of the mind—a time when fleeting visions take form, crossing from his dreams onto the canvas. Evoking a sense of peace and comfort, these creatures become quiet companions within his compositions.
Hascoët often re-engages with these meditative portraits, maintaining an intimate connection to the paintings. They remain undeniably personal, anchored in a specific moment in time. The uncertainty captured in their gaze mirrors a recurring theme in the artist’s practice—sometimes deliberately concealed, yet always present.