Born in 1979 in Austin, TX, USA
Lives and works in Brooklyn, NY, USA

艾米莉·梅·史密斯

With a nod to distinct painting movements in the history of art, such as Symbolism, Surrealism, and Pop art, Emily Mae Smith creates lively compositions that offer sly social and political commentary. Her lexicon of signs and symbols begins with her avatar, derived from the broomstick figure from Disney’s Fantasia (1940). Simultaneously referring to a painter’s brush, a domestic tool associated with women’s work, and the phallus, the figure continually transforms across Smith’s body of work. By adopting a variety of guises, the broom and other symbols speak to contemporary subjects, including gender, sexuality, capitalism, and violence. (Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art, Wadsworth Atheneum Museum of Art)

Emily Mae Smith has been the subject of solo exhibitions at the Consortium Museum, Dijon, France and the Wadsworth Atheneum Museum of Art, Hartford, CT. 

education

2006 M.F.A. Visual Art, Columbia University, New York 
2002 B.F.A. Studio Art, University of Texas at Austin 

solo shows

2019 
- Avalon, Perrotin, Tokyo, Japan (forthcoming August)
- Wadsworth Atheneum Museum of Art, Hartford, CT

2018
- Le Consortium, Dijon, France
- A Strange Relative, Genesis Belanger & Emily Mae Smith, Perrotin, New York, NY
- Feast of Totems, Contemporary Fine Arts, Berlin, Germany
- Henry+Smith, 39 Great Jones, New York, NY

2017
- The Sphinx or The Caress, Simone Subal Gallery. New York, NY
- The Little Apocrypha, collaboration Emily Mae Smith & Adam Henry, curated by Samuel Leuenberger and Elise Lammer, SALTS. Birsfelden, Switzerland

2016
- Tesla Girls, Rodolphe Janssen. Brussels, Belgium
- Honest Espionage, Mary Mary. Glasgow, UK

2015
- Medusa, Laurel Gitlen. New York, NY

2014
- Novelty Court, Junior Projects. New York, NY 

2011
- Neon Sigh, collaboration with Adam Henry, The Arcade, Nashville, TN

group shows

2019
- The Smiths, Malborough, London, UK
- Home/Work, JDJ | The Ice House, Garrison, NY
- Throwback Jack, curated by Amanda Schmitt, Fredericks & Freiser, New York, NY
- Magnetic Fields, curated by Cecilia Alemani, Gió Marconi Gallery, Milan, Italy
- No Patience For Monuments, Perrotin, Seoul, South Korea
- AXxoN N., Essex Flowers, New York, NY

2018
- Summer, curated by Ugo Rondinone, Peter Freeman Inc, New York, NY
- Pine Barrens, Tanya Bonakdar Gallery. New York, NY 
- Six Artists, Harper’s Books. East Hampton, NY 
- The Sun Is Gone But We Have The Light, Unclebrother. Hancock, NY
- Dancing Goddesses, Dio Horia. Mykonos, Greece
- Texas, Philip Martin Gallery. Los Angeles, CA
- Buddy System, Deanna Evans Projects. Brooklyn, NY
- Herding Cats Again, Catbox Contemporary. Ridgewood, NY
- Tell Him What We Said About Paint It Black, 1 Mile Gallery. Kingston, NY
- The Revolutionary Suicide Mechanised Regiment Band Part 2, Rob Tufnell. London, UK
- The Cruellest Month, Mother Gallery. Beacon, NY
- Harper’s Books at the Beverly Hills Hotel. Beverly Hills, CA
- Any body suspended in space will remain in space until made aware of its situation, Temnikova & Kasela. Tallinn, Estonia 

2017
- Engender, Kohn Gallery, Los Angeles, CA
- Pharmacy for Idiots, Rob Tufnell, Cologne, Germany
- Women to the Front, Works from the Miller Meigs Collection, Lumber Room, Portland, OR 
- Her Eyes Are Like Doves Beside Streams of Water, Adams and Ollman, Portland, OR
- Le Quatrième Sexe, curated by Marie Maertens, Le Coeur, Paris, France
- Sharper Image, Present Company, Brooklyn NY
- Eyes, Nose, Lips, Etc. Etc., Left Field Gallery, San Luis Obispo, CA

2016
- Scarlet Street, Lucien Terras, New York, NY
- Me, Myself, I, China Art Objects Galleries, Los Angeles, CA
- Surrreal, König Galerie (St. Agnes), Berlin, Germany
- What’s Up, curated by Lawrence van Hagen, Soho Revue. London, UK
- Untitled Body Parts, Simone Subal Gallery. New York, NY

2015
- Unrealism, organized by Jeffrey Deitch and Larry Gagosian, The Moore Building, Miami, FL
- Mrs. Benway, Fourteen30 Contemporary, Portland, OR
- I Dropped the Lemon Tart, Lisa Cooley, New York, NY
- Six Advertisements, Marlborough Chelsea, New York, NY
- Comic Relief, Levy/Delval, Brussels, Belgium
- Oh, Of Course, You Were Berry Picking, co-organized by Rosa Tyhurst, DREI Galerie, Cologne, Germany
- Six possibilities in painting (int.), curated by Fabian Schöneich and Samuel Leuenberger, Galerie Bernhard, Zurich, Switzerland

2014
- Help Is on the Way, organized by Sean Landers, Wasserman Projects, Birmingham, MI
- Parallax Futured: Transtemporal Subjectivities, Skirball Museum, Cincinnati, OH
- Kidnapped, eine Wohnungsausstellung, Petrus Entertainment

2013
- Page 179, Artforum, September 2013, Brennan & Griffin, New York, NY

2012
- Knowledge of the True Games, Know More Games, Brooklyn, NY

2011
- Anonymous Presence, Y Gallery, New York, NY

2010
- Portugal Arte 10 - Portuguese Biennial, Personal Freedom, Lisbon, Portugal

2009
- On From Here, Guild and Greyshkul, New York, NY

2007
- Love in a Cold Climate, curated by Sima Familant and Lisa Schiff, Allston Skirt Gallery, Boston, MA
- The Cement Garden, Marvelli Gallery, New York, NY

2006
- Summer Salon, curated by Kate Werble, Gerald Peters Gallery. New York, NY

2005
- The Love Below, Marvelli Gallery. New York, NY

  • March 2019
    Juxtapoz — 11 PAGES

  • January 2019
    Libération — 1 PAGE

  • January 2019
    Juxtapoz — 1 PAGE

  • December 2018
    The New York Times — 1 PAGE

  • December 2018
    GQ — 4 PAGES

VIRTUAL VISIT OF "A STRANGE RELATIVE", EMILY MAE SMITH & GENESIS BELANGER

VIRTUAL VISIT OF "A STRANGE RELATIVE", EMILY MAE...

Emily Mae SMITH