Born in 1981 in Dumaguete City, Philippines
Lives and works in Manila, Philippines

Maria TANIGUCHI

education

2010
-  LUX Associate Artists Programme, London

2009
-  MFA in Art Practice, Goldsmiths, University of London

2007
-  BFA in Sculpture, The University of the Philippines College of Fine Arts

solo shows

2019
-  carlier | gebauer, Berlin

2017
-  West Bund Art & Design, Shanghai (with Perrotin)
-  Ibid. Projects, Los Angeles
-  Taka Ishii Gallery, Tokyo
-  Silverlens, Manila

2016
-  Perrotin, Hong Kong
-  Ibid. Projects, London

2015
-  carlier | gebauer, Berlin

2014
-  Silverlens, Singapore and Manila

2013
Art Statements, Art Basel 44, Basel (with Silverlens)

2011
Echo Studies, Jorge B. Vargas Museum & Filipiniana Research Center, University of the Philippines, Manila

group shows

2020
-  The 5th Dhaka Art Summit | Seismic Movements | Spatial Movements, curated by Diana Campbell Betancourt, Ruxmini Reckvana Q Choudhury and Teresa Albor, Bangladesh Shilpakala Academy, Dhaka, Bangladesh
-  Construction of Truths, curated by Joselina Cruz, Museum of Contemporary Art and Design (MCAD), Manila

2019
-  La última de las tribus ("The Last of the Tribes"), curated by Viviana Kuri, Museo de Arte de Zapopan (MAZ), Zapopan, Jalisco, Mexico
-  Tomorrow, Selections from The Permanent Collection, Live Forever Foundation, Taichung, Taiwan
-  SPECTROSYNTHESIS IIExposure of Tolerance: LGBTQ in Southeast Asia, curated by Chatvichai Promadhattavedi, Bangkok Art and Culture Centre (BACC), Bangkok (in collaboration with Sunpride Foundation)
-  The 5th Ural Industrial Biennial of Contemporary Art, curated by Xiaoyu Weng, Ural Optical and Mechanical Plant, and "Coliseum" Cinema, Ekaterinburg, Russia
-  Who Writes?, curated by Jo Ying Peng, Galería OMR, Mexico City
-  The Empathy Lab, Jessica Silverman Gallery, San Francisco
Survived!, Taka Ishii Gallery, Tokyo
-  Blood and Soil: Dark Arts for Dark Times, curated by Anders Kreuger and Julija Fomina, Contemporary Art Centre (CAC), Vilnius, Lithuania
-  Primary Drives, Silverlens, Manila

2018
-  The 15th Visayas Islands Visual Arts Exhibition and Conference (VIVA EXCON 2018) | Bisan tubig di magbalon ("Don't Even Bring Water"), curatorial direction by Green Papaya Art Projects, Civic Center, Roxas City, Capiz, Philippines
-  The 12th Gwangju Biennale | Imagined Borders | Imagined Nations / Modern Utopias, curated by Clara Kim, Gwangju Biennale Exhibition Hall, Gwangju, South Korea
In Search of Southeast Asia through the M+ Collections, curated by Pauline J. Yao and Shirley Surya, M+ Pavilion, Hong Kong
These Painter’s Painters, ROH Projects, Jakarta
-  Art Patrons, Qiao Space and Tank Shanghai Project Space, Shanghai
-  The 21st Biennale of Sydney | SUPERPOSITION: Equilibrium & Engagement, curated by Mami Kataoka, Museum of Contemporary Art Australia, Sydney

2017
Choruses, Edouard Malingue Gallery, Hong Kong (in collaboration with Silverlens)
Anarchéologie, curated by Marcella Lista, Centre Pompidou, Paris
Richard Mosse | Maria Taniguchi, The Museum of Modern Art Gunma, Japan
Marching in Circles, curated by Robin Peckham, Long March Space, Beijing
Almost There, curated by Patrick D. Flores and Kyongfa Che, Jorge B. Vargas Museum and Filipiniana Research Center, Manila (in collaboration with The Japan Foundation Asia Center)
Damage Control, Ibid. Projects, Los Angeles
Translación, curated by Gary-Ross Pastrana, Silverlens, Manila

2016
-  The 44th Salón Nacional de Artistas, curated by Víctor Albarracín, Inti Guerrero and Guillermo Vanegas, Pereira, Colombia
Oceanic Feeling, curated by Susan Gibb, Institute of Contemporary Arts (ICA) Singapore, LASALLE College of the Arts, Singapore
AMP, ROH Projects, Jakarta
Judea, curated by Arin Runjang, West Den Haag, The Haag
Apeirophobia / Aporia, curated by Sohrab Mohebbi and Miljohn Ruperto, Human Resources, Los Angeles
Histories of a Vanishing Present: A Prologue, curated by Cesar Garcia with Kris Kuramitsu, The Mistake Room, Los Angeles
With Institutions Like These..., curated by Victor Wang and Alex Meurice, Averard Hotel, London
Afterwork, curated by Freya Chou, Cosmin Costinas, Inti Guerrero, and Qinyi Lim, Para Site, Hong Kong
GLOBALE: New Sensorium | Exiting from Failures of Modernization, curated by Yuko Hasegawa, ZKM | Center for Art and Media, Karlsruhe, Germany
RIVIERA Prologo Bookshop, curated by Dallas and Caterina Riva, Istituto Svizzero, Milan

2015
-  The 8th Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery and the Gallery of Modern Art, Brisbane
-  The 2nd HUGO BOSS ASIA ART | Award for Emerging Asian Artists, Rockbund Art Museum, Shanghai
The Vexed Contemporary, curated by Joselina Cruz, Museum of Contemporary Art and Design (MCAD), Manila
TOWER, Ibid. Projects, London
Reverence and Reproach: Modernist Legacies in Contemporary Film and Video, Tate Britain (screening)
Missing Links: Video, Moving Images and Time-based Works from Southeast Asia, curated by Gridthiya Gaweewong, Jim Thompson Art Center, Bangkok
Sights and Sounds: Global Film and VideoPhilippines, The Jewish Museum, New York

2014
-  Inaugural show, Ibid. Projects, London
Don’t You Know Who I Am? Art After Identity Politics, curated by Anders Kreuger and Nav Haq, Museum of Contemporary Art (M HKA), Antwerp
Erasure: From Conceptualism to Abstraction, curated by Charles Mereweather, Osage Gallery, Hong Kong, and School of Creative Media, City University of Hong Kong
The Bold Sopranos, Gallery Exit, Hong Kong (in collaboration with Silverlens)
Material Memory, curated by Valentina Suma, Fluxia, Milan

2013
HIWAR | Conversations in Amman, curated by Adriano Pedrosa, Darat al Funun—The Khalid Shoman Foundation, Amman, Jordan
The Midnight Marriage, Silverlens, Manila
The Philippine Contemporary: To Scale the Past and the Possible, curated by Patrick D. Flores, Metropolitan Museum of Manila, Manila

2012
Without a Murmur, curated by Joselina Cruz, Museum of Contemporary Art and Design (MCAD), Manila
A Reader of Materials and a Writer of Forms, curated by Lucy MacDonald, MOT International, Brussels
The Porous Border, curated by Gary-Ross Pastrana, Art Gallery g23, Srinakharinwirot University in Bangkok, Bangkok
Rambler's Association, Artspace Aotearoa, Auckland
DETROIT, LUX Associate Artists Program, London (screening)

2011
Young London, curated by Adam Thomas and Tara Cranswick, V22 Collection, London
+Pyramid, Green Papaya Art Projects, Manila
Video e identidad cultural en Filipinas: 1999–2009, CaixaForum, Barcelona (screening)
Complete and Unabridged: A Survey of Philippine Conceptualism, Part II, curated by Ringo Bunoan, Isabel Ching and Gary-Ross Pastrana, Osage Gallery, Hong Kong
Jump Cut: Dialectic Dream, curated by Caterina Riva, The Barber Shop, Lisbon
Roving Eye: Film and Video Works from Southeast Asia, curated by Joselina Cruz, Sørlandets Kunstmuseum, Kristiansand, Norway

2010
SLIP Sensor (Part II), Cell Project Space, London
No Soul for Sale: A Festival of Independents, Tate Modern, London (with Green Papaya Art Projects) 

2009
Lost in Your Eyes / Foreign Correspondent, curated by Caterina Riva, FormContent, London
boyleANDshaw Art Salon Project 4, curated by Elea Himmelsbach, Artprojx Space, London

public collections

-  The Burger Collection, Hong Kong
-  K11 Art Foundation, Shanghai
-  Kadist Art Foundation, San Francisco and Paris
-  M+ Museum, Hong Kong
-  Queensland Art Gallery & Gallery of Modern Art, Brisbane
-  Samdani Art Foundation, Dhaka, Bangladesh
-  Sifang Art Museum, Nanjing
-  Singapore Art Museum, Singapore

awards

2015
-  Hugo Boss Asia Art Award for Emerging Asian Artists, Shanghai

2012
-  Ateneo Art Awards, Manila

2011
-  Ateneo Art Awards, Manila

RESIDENCIES

2013
-  Khalid Shoman Foundation, Darat Al Funun, Amman, Jordan

2012
-  Artspace Aotearoa, Auckland

2003
-  Plastique Kinetic Worms, Singapore

  • January 2017
    The Artling — 7 PAGES

  • December 2016
    Artouch — 4 PAGES

  • December 2016
    Ocula — 3 PAGES

  • December 2016
    ArtAsiaPacific — 2 PAGES

  • November 2016
    Ocula — 5 PAGES

PERROTIN

New York Gallery Reopening

Perrotin New York is open with limited capacity through August 14. We remain open Tuesday through Sunday from 10am - 6pm and for select appointments on Mondays. Reservations are preferred, and can be made by phone, email (bookingny@perrotin.com), or through the See Saw app. 

The well-being of our community is our priority, and we have implemented strict precautionary measures for both our staff and visitors by: limiting capacity and carefully monitoring flow throughout the gallery, requiring all visitors and staff to wear a mask, providing touch-free hand sanitizer on each floor, retro-fitting all desks with plexiglass screens, making exhibition leaflets accessible via QR code, conducting routine cleanings of all surfaces, and implementing an RSVP system in the event that we need to assist public health officials with contact tracing.

Please do not hesitate to be in touch — info@perrotin.com
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