Born in 1973 in Mobile, AL, USA
Lives and works in Los Angeles, CA, USA

Kathryn ANDREWS

education

2003
MFA, Art Center College of Design, Pasadena, CA

1995
BFA, Duke University, Durham, NC

solo shows

2017
Field Station: Kathryn Andrews, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI

2016
Black Bars, David Kordansky Gallery, Los Angeles, CA
*Kathryn Andrews: Run for President, organized by Julie Rodrigues Widholm and Museum of Contemporary Art, Chicago, Nasher Sculpture Center, Dallas
Sunbathers I & II, The High Line, New York, NY

2015
*Kathryn Andrews: Run for President, organized by Julie Rodrigues Widholm, Museum of Contemporary Art, Chicago, IL
Trinity and Powers: In Search of Breadfruit, Gladstone Gallery, Brussels, Belgium

2014
Kathryn Andrews, TC: Temporary Contemporary, Bass Museum of Art, Miami, FL
Kathryn Andrews | Alex Israel, Gagosian Gallery, Rome, Italy

2013
*Special Meat Occasional Drink, Museum Ludwig, Cologne, Germany

2012
David Kordansky Gallery, Los Angeles, CA

2011
*Art 42 Basel: Statements, David Kordansky Gallery, Basel, Switzerland

2009
Frankie Goes to Bollywood, Galerie Christian Nagel, Berlin, Germany
Cats and Dogs: Catalog, curated by Olivian Cha for “Works Cited” exhibition series, Los Angeles Central Library, Los Angeles, CA
Your Husband, Your Face Hole – Stephanie Taylor and Kathryn Andrews, Galerie Christian Nagel, Cologne, Germany

group shows

2017
Mount Analogue, organized by Darrow Contemporary, Performance Ski, Aspen, CO
Reconstitution, LAXART, Los Angeles, CA
Fond Illusions, Galerie Perrotin, New York, NY
Please fasten your seat belt as we are experiencing some turbulence, Leo Xu Projects, Shanghai, China
March Madness, organized by Hank Willis Thomas and Adam Shopkorn, Fort Gansevoort, New York, NY
Wasser, organized by Mandla Reuter, Fitzpatrick-Leland House, Los Angeles, CA
*99 Cents, organized by Jens Hoffman, Museum of Contemporary Art, Detroit, MI

2016
High Anxiety: New Acquisitions, Rubell Family Collection, Miami, FL
Progressive Praxis, de la Cruz Collection Contemporary Art Space, Miami, FL
Fractured, Simon Lee, Hong Kong
*Good Dreams, Bad Dreams: American Mythologies, curated by Massimiliano Gioni, Aïshti Foundation, Beirut, Lebanon
Idealogue, Utah Museum of Contemporary Art, Salt Lake City, UT
The Fleeting Image: Four Contemporary Artists, organized by Marshall N. Price and Nancy Hanks, Nasher Museum of Art at Duke University, Durham, NC

2015
The Extreme Present, curated by Jeffrey Deitch, Metropolitan Art Society, Beirut, Lebanon
*NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
Collecting Lines: Drawings from the Ringier Collection, curated by Arthur Fink and Beatrix Ruf, Villa Flora Winterthur, Winterthur, Switzerland
Palm Capsule, conceived and compiled by Christian Mayer, Mackey Garage Top, Los Angeles, CA
Selections from the de la Cruz Collection, de la Cruz Collection Contemporary Art Space, Miami, FL; The Adolfo & Marisela Cotilla Gallery, Nova Southeastern University, Fort Lauderdale, FL
Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
Teen Paranormal Romance, curated by Hamza Walker, Santa Barbara Museum of Art, Santa Barbara, CA

2014
*Passions Secrètes, Tripostal, Lille, France
*The Los Angeles Project, Ullens Center for Contemporary Art, Beijing, China
do it, curated by Hans Ulrich Obrist, Musée de la danse, Rennes, France; Michaelis School of Fine Art, University of Cape Town, Cape Town, South Africa
The Husk, Untitled, New York, NY
Screen Play, SWG3 Gallery, Glasgow, Scotland
Teen Paranormal Romance, curated by Hamza Walker, The Renaissance Society at The University of Chicago, Chicago, IL; Atlanta Contemporary Art Center, Atlanta, GA; Atlanta Contemporary Art Center, Atlanta, GA

2013
Station to Station, A Doug Aitken Project, New York, NY; Pittsburgh, PA; Chicago, IL; Minneapolis / St. Paul, MN; Santa Fe / Lamy, NM; Winslow, AZ; Barstow, CA; Los Angeles, CA; Oakland / San Francisco, CA
do it, curated by Hans Ulrich Obrist, Manchester Art Gallery, Manchester, England; Handwerker Gallery, Ithaca College, Ithaca, NY; Stacion-Center for Contemporary Art Prishtina, Prishtina, Kosovo
Works Sited, reprised, curated by Olivian Cha, Cleopatra’s, Brooklyn, NY
*In the Good Name of the Company, curated by Jan Tumlir, with Christopher Michlig and Brian Roettinger, Colby Poster Printing Company, ForYourArt, Los Angeles, CA; See.Me. Gallery, Long Island City, NY
*When Attitudes Became Form Become Attitudes, curated Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit, MI
Set Pieces, curated by Andrew Berardini and Lauren Mackler, Cardi Black Box, Milan, Italy

2012
*From the Collection: 2012 Exhibition, de la Cruz Collection Contemporary Art Space, Miami, FL
*When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
*Made in L.A. 2012, organized by the Hammer Museum and LAXART, Hammer Museum, Los Angeles, CA
Kathryn Andrews, Darren Bader, Karl Haendel, United Artists, Ltd., Marfa, TX
*First Among Equals, ICA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Candor: In honor of Mike Kelley, Long Beach City College Art Gallery, Long Beach, CA

2011
*American Exuberance, Rubell Family Collection, Miami, FL
2011 – 2012 Art Basel Exhibition: Works from the Collection, de la Cruz Collection Contemporary Art Space, Miami, FL
No Color In Your Cheeks Unless The Wind Lashes Your Face, curated by Timothée Chaillou, itsourplayground.com
Seven Los Angeles Artists, curated by Scott Benzel, The Fellows of Contemporary Art, Los Angeles, CA
Grandmother Bodhisattva, Galerie Seiler, Munich, Germany
Gaylen Gerber, Renwick Gallery, New York, NY
Modify, As Needed, MOCA, North Miami, FL
George Herms: Xenophilia (Love of the Unknown), MOCA, Los Angeles, CA
On Forgery: Is One Thing Better Than Another?, LAXART, Los Angeles, CA
Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, NY
Offset Summary, Rachel Uffner Gallery, New York, NY

2010
*How Soon Now, Rubell Family Collection, Miami, FL
*Transzendenz, Inc., Autocenter, Berlin, Germany
Session_7_Words, Four Boxes Gallery, Skive, Denmark
Best of Invites, Wonderland-Kellerloch, Berlin, Germany
*Transzendenz Inc., curated by Heike Kelter and René Luckhart,
Autocenter, Berlin, Germany
Real Summer, ZERO, Milan, Italy
Support Group: Kathryn Andrews, Gaylen Gerber, Mateo Tannatt/Pauline, curated by Michael Ned Holte, Tom Solomon Gallery at Cottage Home, Los Angeles, CA
Mostly Sculpture Show, curated by Alice Clements, Sea and Space Gallery, Los Angeles, CA
Kathryn Andrews, Heather Cook, Lesley Vance, Lisa Williamson, David Kordansky Gallery, Los Angeles, CA

2009
Session_7_Words, Am Nuden Da, London, England
Galerie Christian Nagel at Galerie Kunstbuero, Galerie Kunstbuero, Vienna, Austria
Bitch is the New Black, curated by Emma Gray, Honor Fraser Gallery, Los Angeles, CA
Float Like a Butterfly, Sting Like a Bee, curated by Yunhee Min, Artist Curated Projects, Los Angeles, CA
Video Journeys, Sister Gallery at Cottage Home, Los Angeles, CA
The May Show, curated by Chris Lipomi, 5200 Block of Olympic Boulevard, Los Angeles, CA
3616 West Washington Blvd., curated by Ben Pruskin, 3616 West Washington Boulevard, Los Angeles, CA
Boofthle Booth-Booth:Deux Doox-Hollywood Biennial, curated by Mateo Tannatt, Pauline Gallery, Hollywood, CA

2008
Group Show with Andre Butzer, 1711 North Spring Street, Los Angeles, CA
There is No There There, curated by Ben Provo, Rivington Arms, New York, NY
Betwixt and Between, ACME Gallery, Los Angeles, CA
Circle Jerks, Monte Vista Projects, Los Angeles, CA
Comfort Bucket: Christie Frields’ Open Studio, 5679 York Boulevard, Los Angeles, CA

2007
Abstraction, curated by Nancy Meyer, Michael Kohn Gallery, Los Angeles, CA
Hug Fu, Dan Hug Gallery, Los Angeles, CA
Mongrel, 16:1 Gallery, Santa Monica, CA
Cock, Courtyard Gallery Project, Beijing, China
Modern Lovers, Glendale Community College Art Gallery, Glendale, CA
Paper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles, CA
W.O.P., curated by Christina Valentine, The Brewery Project, Los Angeles, CA

2006
Chain Letter, High Energy Constructs, Los Angeles, CA
Summer Suite, Glendale College Art Gallery, Glendale, CA
Many, Many Guys and Girls, All Real Beauties, curated by Julian Hoeber, Circus of Books, Los Angeles, CA
Delusionarium III, curated by Jesse Benson, California State University at Fullerton, Grand Central Art Center, Santa Ana, CA

2005
The Meeting, curated by Mindy Shapero, Eagle Rock Center for the Arts, Los Angeles, CA
The February Show, curated by Chris Lipomi, 1103 La Brea, Los Angeles, CA

2004
Four Color Pen Show, General Store at Locust Projects, Miami, FL; Van Harrison Gallery, Chicago, IL

2003
Free Roaming, curated by Charles Long, 4F Gallery, Los Angeles, CA

awards

2007
Tong Xian Art Center Residency, Beijing, China

PERFORMANCES

2016
Felonious Munk, Write-in, Museum of Contemporary Art, Chicago, IL

2015
Four Score (Remix), Egg, Chicago, IL

2014
Split Chorale for Viljo Revell, with Scott Benzel, curated by Heather Pesanti, Scotiabank Nuit Blanche, Toronto, Canada
Santa Claus Conquers the Martians (Continuous Roll), curated by Summer Guthery, Disjecta, Portland, OR

2013
Audio Description #5: W. G. Heirens (November 15, 1928 – March 5, 2012), 2013, collaboration with Christian Mayer, Ve.Sch, Vienna, Austria

2012
Still Life (Woman with Fruit), David Kordanksy Gallery, Los Angeles, CA
Voix de Ville, Art 43 Basel, Art Parcours, Basel, Switzerland
Opus 1 for Crude Instruments (Summons to GLIESE-581D, GLIESE-581G, KEPLER-22B, OGLE-2005-BLG-390LB, GJ-667Cc, HD-85512B, and EUROPA), with composer Scott Benzel, Ballroom Marfa 2012 Benefit Weekend, Hip-O Ranch, Marfa, TX
Serial Killer, in conjunction with First Among Equals, ICA: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Fork Hunt, The Ball of Artists, organized by LAXART, Greystone Mansion, Beverly Hills, CA

2009
Creative Visualization Works Only for Good (for Karl Erickson), Sea and Space Gallery, Los Angeles, CA

2008
Liquors and Baldassari with the Occasional Presence of Influence, as part of A Live Reading/Performance of the Texts of Lawrence Weiner, Beyond Baroque Literary Arts Center, Los Angeles, CA