Birds are a central theme in JC’s work.
From the monumental "Pliny's Sorrow" (2011-2013) a profound reflection on the passing of time and the instability of power, on the devouring ambition and the inevitable decline of civilisation but also on resilience and the striving for a greater good
To "The Storm » (Middelheim Museum, Antwerp, Belgium, 2014) and its reflections on ecology. Or the complex structure of "Europa's Dream" (2015-2016) or "The Grand Vivisector" (2013) and their exploration of politics and personal quests for salvation
All of these major monumental bronze sculptures found there roots in intimate works made in clay
hand-modelled by the artist they form the first drafts of ideas and are intellectual constructions that explore the three dimensionality of sculpture and their relationship to space
After small studies some of these turn into larger stoneware works
Le Faucon is a prime example of these independent works in clay
High on color, complex in form, this works reminds us of historical examples of the Falcon in ancient Egypt, Indian watercolors and hunting scenes from the Middle East
The falcon is an image of grace, power, speed, strength and beauty
It is also linked to political power as a symbol of rulers and the ruling class
The work plays with open en closed forms, silhouette and mass
As a ruined building or a building under construction.
Pedestal designed by the artist and included in the price of the work. Size of the pedestal : 29 1/2 x 15 3/4 x 15 3/4 inches / 155 pounds approx